策划人的话

寒霜初降之时节，高句丽飞燕而至大岑笛音穿堂处，飒然风起云涌时

燕子通常筑巢和出没于春、夏之季。她们的到来也象征着春意盎然或是万物复苏。而到了九、十月之深秋之时，她们则越冬而迁，离开一个纬度的寒冷，去往另一纬度的温暖。

倘若一只飞燕突然逆季而来，燕群也许会觉得这只燕子昏了头。而恰好，有那么一只来自高句丽的“飞燕”就接受了寒霜初降之季的邀请。

她带着对中国即兴场景“一窥究竟”的好奇，也带着与中国本土即兴音乐人在现场能“珠联璧合”的期望，更是带着以大岑笛这个朝鲜族古老的民族乐器，来甘当这趟旅程会友南北的文化行者。

在音乐演奏中，她的大岑笛吹奏水准如今是国际上公认的顶尖大师之一，更是官方认定的“非物质文化遗产”演奏家之一。而音乐理念上，她既是横跨传统与先锋的多栖高手，又秉持着完全开放的合作态度。

届时现场，在那些自然气息于孔位（大岑笛孔）如梭流动之际，也许会是 “大岑笛音穿堂处，飒然风起云涌时”。

纵观整个民族音乐历史，朝鲜族大笒笛和印度塔布拉鼓这两个古老的乐器，在过往的即兴合作现场中都属难得一见的。而在清华逍遥夜的这场合作也将是这两个具有代表性的民族乐器首次以完全即兴的方式展开对话。而Dasom和Bivakar均是以深厚的传统风格为功底，再把各自的民族乐器拓展到现代、前卫、以及多元融合方向的音乐家。这场音乐会也将是Dasom Baek中国行中的一场重中之重。

—— 吴凡夫（Wu Fanfu）

A Note from the Curator

In musical performance, Dasom Baek's mastery of the Daegeum is now internationally recognized as one of the world's top masters, and she is an officially certified performer of an "Intangible Cultural Heritage." In terms of musical philosophy, she is a versatile virtuoso who bridges tradition and the avant-garde, all while maintaining a completely open attitude toward collaboration.

Dasom Baek comes with a curiosity to "take a peek" into China's improvisation scene and the expectation of achieving "perfect synergy" with local Chinese improvisational musicians on stage. She is embracing the role of a cultural ambassador on this journey to connect with friends both north and south, utilizing the Daegeum (Korean: 대금, Chinese: 大岑笛 or 大笒笛), an ancient national instrument of the Korean ethnic group (Chaoxianzu).

Throughout the history of ethnic music, the ancient Korean Daegeum (large bamboo flute) and the Indian Tabla drums are rarely seen together in improvisational collaborations. The upcoming performance at Tsinghua Xiaoyao Night will mark the first time these two iconic ethnic instruments engage in a completely improvised dialogue.

Both Dasom and Bivakar are musicians who have a deep grounding in traditional styles, and who then extend their respective ethnic instruments into modern, avant-garde, and multi-genre fusion directions. This concert will be one of the most important stops on Dasom Baek's tour in China.

—— Wu Fanfu

艺术家（Artists）

Dasom Baek

Dasom Baek出生于1990年4月7日。她是当今首屈一指、技巧绝伦的朝鲜族传统乐器大笒笛演奏家/作曲家。Dasom Baek活跃于欧洲和东亚，并在伦敦和柏林常驻。享誉国际乐坛的同时，也被国际官方认定为当代大笒笛领域国宝级的音乐家之一。也被看作是亚洲先锋类场景里新生代翘楚之一。

Dasom Baek音乐风格，横跨朝鲜族大笒笛传统音乐、先锋类器乐自由即兴、以及与电子乐结合的实验氛围/极简主义音乐、和剧场实时配乐/电影配乐等。她的音乐从传统出发，延伸到当代/前卫/先锋/跨界等多个领域。

Dasom Baek曾在荷兰鹿特丹的新音乐节，荷兰海牙的Re-Wire音乐节，比利时布鲁塞尔BRDCST，中国香港自由空间爵士音乐节等著名音乐节演出。她合作过的知名国际音乐家数不胜数。与阿根廷大提琴新锐女性大师Violeta Garcia、首尔轻机械即兴四巨头之一的秦相太（Jin Santage），中国台湾新生代先锋笙乐才女李俐錦（Li Chin-Li）等均有合作的专辑或现场。同时，Dasom Baek也与中国电影演员辛正蕾进行过电影配乐方面的合作。

Dasom Baek最近一张专辑《Mirror City》，在英国著名氛围音乐厂牌Metron发布、厂牌素以发行Metei（冥丁）、李亦蕾等氛围音乐家的专辑为主。而Dasom Baek是Metron厂牌唯一一个器乐先锋/即兴类的音乐家。

截止到目前，Dasom Baek已经发行过六张专辑，包括：무(無)》（2020）、《Absence》（with Violeta Garcia）（2021）、《鬼面》（2022）、《Turbulator》（2022）、《kkum 37》（2023）、《Mirror City》（2024）.

Dasom Baek was born on April 7, 1990. She is the leading and highly skilled player and composer of the traditional Korean musical instrument Daegeum. Dasom Baek is active in Europe and East Asia and is based in London and Berlin. While enjoying a high reputation in the international music scene, She has also been officially recognized by the international authorities as one of the national treasures in the contemporary grand horn field of musicians. It is also regarded as one of the rising stars in the Asian avant-garde genre.

Dasom Baek's musical style includes the traditional music of the Korean traditional music, free improvisation, as well as atmosphere/minimalist music combined with electronic music, and real-time theater scores/film scores, etc. Her music starts from tradition and extends to multiple fields such as contemporary/avant-garde/avant-garde/crossover .

Dasom Baek has played at New Music Festival in Rotterdam, Netherlands, Rewire Festival in Hague, Netherlands, BRDCST in Brussels, Belgium, Freespace Jazz Festival in Hong Kong and so on many famous music festivals. She has collaborated with many famous international musicians. She collaborated on albums or live performances with Argentina female cello musician Violeta Garcia, Kim Sang-Tae, one of the four giants of light mechanical improvisation in Seoul. and Taiwan's new-generation avant-garde sheng music star Li-Chin Li. among others. Meanwhile, Dasom Baek has also collaborated with Chinese film actress Xin Zhenglei on film scores.

Dasom Baek's latest album《Mirror City》was released on the famous UK ambient music label Metron Records。 which is known for releasing albums of ambient musicians such as Metei、Li Yilei. And Dasom Baek is the only instrumental-improvisational musician on Metron Records.

Up to now，Dasom Baek has already released six albums. including：무(無)》（2020）、《Absence》（with Violeta Garcia）（2021）、《鬼面》（2022）、《Turbulator》（2022） 、《kkum 37》（2023）、《Mirror City》（2024）

Bivakar Choudhury

比瓦卡.乔杜里是印度塔布拉鼓（Tabla）演奏家，目前常驻中国。他师从于Sanjoy Prakash Das。作为伟大的塔布拉大师扎基尔·侯赛因（Zakir Hussain）的追随者，比瓦卡拥有精准的节奏感和丰富的表现力。他的塔布拉鼓演奏方式遵循了四个不同流派（Gharanas）：旁遮普派 （Punjab）、法鲁卡巴德派（Farukhabad）、瓦纳拉斯派（Vanarasi）和德里派 （Delhi）。此外，他还精通金贝鼓（Djembe）、脸颊演奏、孟加拉考尔鼓（Khol）、达克鼓（Dhak）、 铃鼓（Tamborin）、波斯扬琴（Santoor）等乐器。

比瓦卡曾在海内外各类音乐会、音乐节上演出。作为一名塔布拉鼓演奏者，他曾与Pt. A.T. Kanon、Vidhushi Niva Gupta（小提琴）、Pt. Debu Chaudhuri、Shri Prateek Chaudhuri、Bhajan Samrat Anup Jolota、Shri Purbayan Chatterjee、 Ustad Sujaat Khan等印度著名音乐家，以及中国琵琶演奏家吴蛮、高虹，阿富汗鲁巴布演奏家 Homayoun Sakhi, 格莱美奖得主大提琴演奏家Dana Leong等进行多元化合作。他也开始与众多居住在中国的优秀音乐家广泛合作。

他还担任在中国推广印度音乐文化的Chaiti艺术基金会的艺术总监。在教学方面，他在印度驻华大使馆文化中心开设塔布拉鼓教学课程，并在中央音乐学院、中央民族大学、浙江音乐学院举办工作坊和讲座。

Bivakar Choudhury is an Indian Tabla maestro currently based in China. He is the disciple of Sanjoy Prakash Das. As the follower of the great Tabla maestro Zakir Hussain, Bivakar possesses precise rhythm and rich expressiveness. His Tabla playing follows the traditions of four distinct Gharanas (schools): Punjab, Farukhabad, Vanarasi, and Delhi. Additionally, he is proficient in instruments such as the djembe, cheek-playing,khol, dhak, tambourine, and santoor.

Bivakar has performed at various concerts and music festivals both in China and internationally. As a Tabla accompanist, he has collaborated with renowned Indian musicians including Pt. A.T. Kanan, Vidhushi Niva Gupta (violin), Pt. Debu Chaudhuri, Shri Prateek Chaudhuri, Bhajan Samrat Anup Jalota, Shri Purbayan Chatterjee, and Ustad Sujaat Khan. He has also engaged in diverse collaborations with Chinese pipa players Wu Man and Gao Hong, Afghan rubab maestro Homayoun Sakhi, and Grammy Award-winning cellist Dana Leong. He also began to collaborate extensively with many outstanding musicians residing in China.

He serves as the Art Director of the Chaiti Arts Foundation, which promotes Indian music and culture in China. In terms of teaching, he has launched tabla courses at Swami Vivekananda Cultural Centre, Embassy of India,Beijing, and conducted workshops and lectures at the Central Conservatory of Music, Minzu University of China, and Zhejiang Conservatory of Music.