提起凡尔赛宫，你会想到什么？是金碧辉煌的镜厅？是精致绝伦的皇家花园？还是路易十四时代璀璨夺目的艺术辉煌？

然而，这一切的灵魂，正是那充满仪式感与戏剧张力的宫廷音乐。

凡尔赛宫皇家歌剧院乐团，正是这一传统的传承者。他们使用符合历史风格的乐器，演绎路易十四时期的宫廷音乐，让音符以最真实的方式在当代舞台上再度苏醒。

每一首曲目，都曾在那个时代的宫廷典礼、庆典、舞会或歌剧演出中回响，让人仿佛置身昔日的凡尔赛宫，聆听一场为国王献上的音乐会。

指挥/小提琴 Direction 

斯特凡·普莱尼亚克 Stefan Plewniak

假声男高音 Contre-ténors

菲利波·米内西亚 Filippo Mineccia

塞缪尔·马里诺 Samuel Mariño

李梅里 Melli Li

乐团首席 Concertmaster

张樟 Zhang Zhang

PROGRAMME

阿蒂利奥·阿里奥斯蒂

Attilio Ariosti（1666-1729）

歌剧《韦斯帕西亚诺》：

序曲（乐队纯音乐演奏）

Il Vespasiano : Ouverture

约翰·阿道夫·哈塞

Johann Adolf Hasse（1699-1783）

《慷慨的斯巴达人》选段《敏锐的双手》

La spartana generosa : “Sagace è la mano”

乔治·弗里德里希·亨德尔

Georg Friedrich Haendel（1685-1759）

《托勒密》选段《苦涩的沉默》

Tolomeo : “Stille Amare”

卡尔·海因里希·格劳恩

Carl Heinrich Graun（1704-1759）

歌剧《凯撒大帝》选段《沉浸在风暴之中》

Cleopatra e Cesare : “Tra le procelle assorto”

乔治·弗里德里希·亨德尔

Georg Friedrich Haendel

歌剧《埃及女王》选段

《如果我的爱是你的罪》（二重唱）

Berenice, Regina d’Egitto : “Se il mio amor fu il tuo delitto”

尼古拉·安东尼奥·波尔波拉

Nicola Antonio Porpora（1686-1768）

歌剧《波吕斐摩》选段

《不朽的喜悦》（三重唱）

Polifemo : “La gioia immortal che alletta” ALL 3

乔治·弗里德里希·亨德尔

Georg Friedrich Haendel（乐队纯音乐演奏）

歌剧《所罗门》选段

《沙巴女王驾到》（乐队中场曲）

Solomon : “Arrival of the Queen of Sheba”

乔治·弗里德里希·亨德尔

Georg Friedrich Haendel

歌剧《里纳尔多》选段《风之回旋》

Rinaldo : Venti Turbini

尼古拉·安东尼奥·波尔波拉

Nicola Antonio Porpora

歌剧《波吕斐摩》选段《高贵的朱庇特》

Polifemo : “Alto Giove”

莱昂纳多·温奇

Leonardo Vinci（1690-1730）

歌剧《阿尔塔瑟塞》选段

《我航行在残酷的大海上》

Artaserse : “Vo solcando un mar crudele”

尼古拉·安东尼奥·波尔波拉

Nicola Antonio Porpora

歌剧《日耳曼尼库斯在日耳曼尼亚》选段

《害怕我的愤怒》（三重唱）

Germanico in Germania : “Temi lo sdegno mio, perfido traditore” ALL 3

凡尔赛宫皇家歌剧院乐团

Orchestre de l'Opéra Royal de Versailles

凡尔赛宫皇家歌剧院乐团是常驻凡尔赛宫的官方乐团，在Aline Foriel-Destezet的赞助下，凡尔赛皇家歌剧院管弦乐团每年在凡尔赛宫举办数百场音乐会与各种法国官方外事音乐文艺活动，为到访法国的各国王室、外宾与重要领导人进行演奏。乐团成员经常与全世界最优秀的指挥家合作，特别擅长于巴洛克和浪漫时期的曲目。

凡尔赛宫皇家歌剧院乐团拥有专门的录音及唱片厂牌——Château de Versailles Spectacles，在全世界巴洛克音乐与歌剧领域拥有一席之地。在其众多录音及影像出版中，包括了与女高音Marie Perbost一起录制的《告诉我维纳斯......》中的咏叹调，与Stefan Plewniak合作的维瓦尔第的《四季》，莫扎特的《巴斯蒂安与巴斯蒂安娜》和佩尔戈莱西的《女仆做夫人》，海顿的第六、第七和第八交响曲（早晨、中午和晚上），亚美尼亚之魂节目，加冕赞美诗，皇家歌剧院乐团和合唱团的音乐剧《皇冠》以及亨德尔的《弥赛亚》等众多经典演出唱片与DVD，令凡尔赛宫皇家歌剧院乐团的录音获得了海内外的极高赞誉。

The Orchestre de l'Opéra Royal de Versailles is the official resident orchestra of the Palace of Versailles. Sponsored by Aline Foriel-Destezet, the orchestra hosts hundreds of concerts and various cultural and official events at the Palace of Versailles every year. The orchestra performs for visiting royalty, foreign dignitaries, and important leaders, aiming to align with the artistic projects of the Royal Opera House and its guest performers. Its magnificent Versailles stage attracts some of the world's most renowned artists.

In December 2019, Orchestre de l'Opéra Royal de Versailles performed for the opera The Ghosts of Versailles by John Corigliano, staged at the Palace of Versailles. The orchestra frequently collaborates with some of the world’s finest conductors and specializes in Baroque and Romantic repertoire. Regular performances are held at the Royal Opera House, and the upcoming season features four major new productions: Zingarelli’s Giulietta e Romeo directed by Gilles Rico (October 2023), Mozart’s Don Giovanni (November 2023), the French-language version of Mozart’s The Magic Flute directed by Michel Fau (May 2024), and Vivaldi’s Gloria e Imeneo (June 2024).

The orchestra has also participated in music festivals in Uzès, Prades, Sablé-sur-Sarthe, Sisteron, and Valloire under the direction of Theotime Langlois de Swarte. It made its debut in South Korea with five concerts at the Lotte Concert Hall in Seoul. Additionally, the orchestra has performed Handel’s Messiah at Lyon’s Chapelle de la Trinité and Barcelona’s Palau de la Música Catalana. It will perform with soprano Samuel Mariño at the Gstaad New Year Music Festival and present the same program in Castellón and at Teatros del Canal. Under the baton of Chloé Guillebon, the orchestra will perform Couperin’s Leçons de ténèbres at the Castell de Peralada Festival.

In April 2024, the orchestra has been invited to perform as part of the opening celebrations for the 60th anniversary of China-France diplomatic relations and the China-France Year of Culture. The orchestra gave concerts at the Palace of Versailles and Beijing’s Palace Museum. It also toured ten Chinese cities, including Beijing, Shanghai, Guangzhou, Shenzhen, Chengdu, Wuhan, Nanjing, Changsha, and Suzhou, achieving unprecedented success and receiving high praise from Chinese audiences.

The Orchestre de l'Opéra Royal de Versailles has its own recording and label, Château de Versailles Spectacles, and holds a prominent position in the global Baroque music and opera scene. Its numerous recordings and video releases include Tell Me, Venus… with soprano Marie Perbost, Vivaldi’s The Four Seasons with Stefan Plewniak, Mozart’s Bastien und Bastienne and Pergolesi’s La serva padrona, Haydn’s Symphonies Nos. 6, 7, and 8 (Morning, Noon, and Evening), The Spirit of Armenia, Coronation Anthems, and The Crown—a musical production by the Royal Opera Orchestra and Choir. Handel’s Messiah and other classic performances have earned the orchestra critical acclaim, including accolades from Diamant Opéra magazine, Choc de Classica, and 5 Diapasons.

斯特凡·普莱尼亚克 Stefan Plewniak

指挥/乐队首席 Conductor and concertmaster

斯特凡·普莱尼亚克（Stefan Plewniak）是维也纳“爱情花园”管弦乐团（Il Giardino d'Amore orchestra）、威尼斯“慈爱大教堂”（Cappella dell' Ospedale della Pietà Venezia）的创始人和艺术总监。自2019/2020赛季起，他定期指挥凡尔赛皇家歌剧院乐团（Orchestre de l'Opéra Royal de Versailles）。此外，他还是纽约卡内基音乐厅（Carnegie Hall）和萨尔茨堡莫扎特大学（Salzburg Mozarteum）的客座指挥家和独奏家。

在2018/2019赛季，他与华沙国家歌剧院开始合作，通过上演格鲁克的歌剧《俄耳甫斯与尤里迪切》并指挥华沙第29届莫扎特音乐节晚会，为该歌剧院揭幕。在2020/2021赛季，他作为华沙歌剧院乐团（Musicae Antiquae Collegium Varsoviense）的音乐总监回归，并指挥让-菲利普·拉莫（Jean-Philippe Rameau）的歌剧芭蕾《卡斯托尔与波吕克斯》。

斯特凡·普莱尼亚克已经录制了八张专辑，其中包括评论家评选的年度最佳专辑。

Stefan Plewniak is founder and artistic director of the Il Giardino d'Amore orchestra in Vienna, Cappella dell' Ospedale della Pietà Venezia and the Feel Harmony orchestra. He is also the founder of Ëvoe Records and since the 2019/2020 season, he regularly conducts the Orchestre de l'Opéra Royal de Versailles.

He began collaborating with the Warsaw Chamber Opera in the 2018/2019 season, inaugurating it with the production of Gluck's opera Orpheus and Eurydice and conducting the gala of the 29th edition of the Mozart Festival in Warsaw. In the 2020/2021 season, he returns as Music Director of the Warsaw Chamber Opera Orchestra - Musicae Antiquae Collegium Varsoviense, and conducts Jean-Philippe Rameau's opera-ballet Castor et Pollux.

Stefan Plewniak has recorded eight historically informed albums, including the critics' greatest albums of the year. In 2020, for the Château de Versailles Spectacles label, Stefan Plewniak conducted the Orchestre de l'Opéra Royal accompanied by Franco Fagioli, Adèle Charvet and Philippe Talbot for a vibrant tribute to Napoleon's opera, Giulietta e Romeo by Zingarelli (CD and DVD released on August 27, 2021). He performs the same work in october 2023 at the Opéra Royal with the Fagioli- Charvet duo, directed by Gilles Rico.

As a conductor and teacher, Stefan Plewniak works with the NOR59 string institute in Oslo. In recent years, he has also been a guest conductor and soloist at Carnegie Hall (New York) and the Salzburg Mozarteum.

A graduate of the universities of Krakow, Prague, Maastricht and Paris, he has performed in the world's greatest concert halls and recorded numerous albums with internationally renowned artists such as Jordi Savall and Le Concert des Nations, William Christie and Les Arts Florissants, Giuliano Carmignola...

塞缪尔·⻢里诺 Samuel Mariño

假声花腔男高音 Male soprano

塞缪尔于1993年出生，他在加拉加斯国家音乐学院开始学习钢琴和声乐，同时在委内瑞拉国家舞蹈学校学习芭蕾。他的第一次歌剧经历是在加拉加斯的巴洛克室内乐团，他在这里有机会与世界著名指挥古斯塔夫·杜达梅尔（Gustavo Dudamel）、赫尔穆特·里林（Helmuth Rilling）和⻄奥多·库查尔（Theodore Kuchar）等指挥家合作。正是在这里，他对巴洛克曲目的热情和亲和力被点燃，激励他在巴黎音乐学院进一步深造。

尽管年纪轻轻，他已经扮演了巴洛克和古典歌剧及清唱剧中一些最为重要的⻆色，包括蒙特威尔第、亨德尔、波尔波拉、 维瓦尔第、哈塞、莫扎特和萨列里的作品。多才多艺和广泛的音域使这位男高音能够探索美声唱法中的⻆色。其曾被《歌剧世界》杂志评选“全球最佳新秀艺术家”。

出于对重新发现音乐和创新时期演奏实践的热情，塞缪尔于2019年创立了忒修斯乐团，旨在将被遗忘的巴洛克技巧和作品带入主流歌剧和音乐会舞台。

Born in 1993, Samuel began his studies in piano and voice at the National Conservatory in Caracas, also studying ballet at the National School of Dance in Venezuela. His first operatic experience was with the Camerata Barroca in Caracas, where he had the opportunity to work with conductors such as Gustavo Dudamel, Helmuth Rilling, and Theodore Kuchar. It was there that his passion and affinity for the baroque repertoire was ignited, inspiring him to further his studies at the Conservatoire de Paris. He is currently closely mentored by the renowned soprano Barbara Bonney and the recipient of a scholarship by the Rotary Club of Salzburg.

At his young age, Samuel Mariño has already portrayed some of the most monumental roles in baroque and classical opera and oratorio, including works by Monteverdi, Handel, Porpora, Vivaldi, Hasse, Mozart, and Salieri.His 2018/19 season included performances of Bach’s B-minor Mass in Budapest, Handel’s La Resurrezione (Angelo) in Gießen, Gluck’s Angigono (Demetrio) in Bayreuth, Cimarosa’s Gli Orazi e id Curiazi (Curazio) in Rhiensburg, Angesi’s Il Re Pastore in Kattowitz, in addition to gala concerts in Halle, where he portrayed Cherubino, Maria from West Side Story, and Fiorilla from Il Turco in Italia. His versatility and ample vocal range have enabled the male soprano to explore such roles in the Bel Canto repertoire as Oscar (Verdi’s Un Ballo in Maschera), Romeo (Bellini’s I Capuleti ed I Montecchi), and Arsace (Rossini’s Aureliano in Palmira). 

Following his passion for rediscovering obscure music and innovating period performance practice, Samuel founded Ensemble Teseo in 2019, where he aims to bring forgotten baroque techniques and works to the mainstream operatic and concert stages.

菲利波·米内西亚 Filippo Mineccia

假声男高音 Countertenor

出生于佛罗伦萨的菲利波·米内西亚（Filippo Mineccia）因被许多人认为是辉煌阉伶歌唱时代曲目中最杰出的专家之一而获得广泛的国际认可。

他自幼在费索勒音乐学院学习声乐，并加入其复调合唱团。在佛罗伦萨路易吉·凯鲁比尼音乐学院完成声乐和大提琴专业学习后，他师从贾尼·法布里尼（Gianni Fabbrini）和多娜泰拉·德博利尼（Donatella Debolini）。他还因在里卡尔多·穆蒂（Riccardo Muti）指挥下，于拉文纳、杰拉什、庞贝等地的音乐会表演而备受瞩目。

菲利波曾与多位著名指挥家合作，在多部亨德尔歌剧中饰演重要角色，包括在凡尔赛皇家歌剧院和博讷音乐节演出的《朱利叶斯·凯撒》中的托勒密（Tolomeo），在巴黎塞纳音乐厅由奥塔维奥·丹托内指挥的《阿格里皮娜》中的奥托内（Ottone）等。此外，他还参与了奥尔夫的《布兰诗歌》，分别在罗马歌剧院和维罗纳竞技场歌剧节上演出。

菲利波·米内西亚已发行十多张个人专辑。梅佐电视台（Mezzo）还录制了他在凡尔赛皇家教堂表演的佩尔戈莱西和维瓦尔第的《圣母悼歌》（Stabat Mater）。

Born in Florence, Filippo Mineccia gained international recognition being considered by many as one of the greatest specialists in the repertoire of the glorious castrato era.

As a child, he studied singing at the Fiesole School of Music, joining its Polyphonic Choir. After graduating in voice and cello from the Luigi Cherubini Music Conservatory in Florence, he studied with Gianni Fabbrini and Donatella Debolini.

Filippo has worked with conductors including Ottavio Dantone, Diego Fasolis, Václav Luks, Christophe Rousset, David Stern, Jordi Savall, Antonio Florio, Fabio Biondi, Thomas Hengelbrock, Javier Ulises Illán, Ruben Jais, Enrico Onofri and the late Alan Curtis.

He has performed numerous Handel opera roles including Tolomeo in Giulio Cesare at both the Versailles Royal Opera and Beaune Festival, Ottone in Agrippina under Ottavio Dantone at Paris Seine Musicale and in a Thomas Hengelbrock/Robert Carsen production at Theater an der Wien (issued on DVD by Naïve), and Medarse in Siroe under Attilio Cremonesi for the International Handel Festival in Karlsruhe. For the Handel Festspiele in Halle, he appeared as Demetrio (Berenice), Dardano (Amadigi) and sang the title role in Lucio Cornelio Silla.

He performed the title role in Gluck’s Orfeo ed Euridice at Teatro Massimo in Palermo and teamed up with Ottavio Dantone and his Accademia Bizantina for the title role in Vivaldi’s Il Tamerlano at Theater an der Wien (issued on CD by Naïve). Add to this Carl Orff’s Carmina Burana at both the Rome Opera and Arena di Verona Opera Festival.

He has appeared in rare and lesser-known operas, starring as Achille in Francesco Sacrati’s Finta pazza with Leonardo García Alarcón in Geneva, Versailles, Amsterdam, and as Anassandro in the first modern performance of Riccardo Broschi’s Merope conducted by Alessandro De Marchi in Innsbruck and Vienna.

Filippo Mineccia has issued a dozen of solo albums dedicated to unknown composers such as Attilio Ariosti, Leonardo Vinci, Niccolò Jommelli, Francesco Gasparini and Johann Adolph Hasse. Mezzo has filmed the Stabat Mater by Pergolesi and Vivaldi he presented at the Chapelle Royale de Versailles.

李梅里 Meili Li

假声男高音 Counter-tenor

李梅里，旅英高男高音歌唱家。中国首位活跃在欧洲歌剧舞台上的假声男高音。2016年亨德尔国际歌唱比赛法里内利大奖获得者。

本科毕业于北京大学，专攻影视编导和哲学并获文学学士学位；同时师从中央音乐学院赵登营教授学习高男高音演唱。后被英国皇家音乐学院（Royal Academy of Music）全奖录取，师从世界著名高男高音歌唱家Michael Chance CBE攻读声乐硕士，期间获学院最高荣誉DipRAM称号；随后又于伦敦盖德霍尔音乐与戏剧学院（Guildhall School of Music and Drama）师从世界顶尖女高音歌唱家Yvonne Kenny学习并以“优秀”（Distinction）成绩获得歌剧表演的高级艺术家文凭。

作为首位接受⻄方系统音乐教育并活跃于欧洲舞台的中国高男高音歌唱家，他擅⻓曲目广泛，从文艺复兴歌曲，到德奥与英法艺术歌曲；从巴洛克歌剧、清唱剧与室内乐，以及早期古典主义歌剧，到现当代先锋派音乐作品与歌剧。对不同时期、语言和⻛格的音乐的诠释都十分具有说服力。

近年来在欧洲，李梅里的身影逐渐活跃在重要歌剧舞台。作为⻘年歌唱家，与多位世界顶尖音乐家与团体有过合作，足迹也遍布世界各地音乐厅。他曾在伦敦、爱丁堡、布达佩斯、巴塞罗那、巴黎、柏林、北京、上海、香港等地举办演出和独唱音乐会。

乐团首席 张樟  

Concertmaster，Zhang Zhang

张樟是一位古典小提琴家，出生于北京，毕业于美国莱斯大学和瑞士洛桑音乐学院。自2000年以来是摩纳哥蒙特卡洛爱乐乐团的成员，自2021年创办了摩纳哥弦乐四重奏乐团，自2019年是法国凡尔赛皇家歌剧院的独奏家。2007年，张樟创立了非政府组织“樟弓音乐ZHANGOMUSIQ”，将传统的现场音乐会商业模式创新为社会企业模式，使音乐会能够立即、具体地为世界各地的人道主义、生态和教育项目做出贡献。

作为摩纳哥公国的艺术外交大使，张樟应摩纳哥亲王阿尔贝二世的邀请在摩纳哥王宫为夏琳王妃与彭丽媛女士演奏代表中国与欧洲的乐曲，以音乐作为桥梁庆祝两国的友谊。2024年作为法国凡尔赛宫皇家歌剧院首席，随法国外交部长到北京故宫文华殿开启了中法友谊文化年。